Experiment with writing in different forms and tell us about it. Attend an online masterclass (like the ones BPA runs) and mention that. Join a writer’s workshop group and tell us about that. If you don’t have that kind of experience, share anything that tells us you’re serious. If you can, share what magazines your short fiction has been published in, the competitions you’ve been listed in or the creative writing courses you’ve completed. You’re not just someone who thinks they have a novel in them you take your craft seriously. The agent or judge also wants evidence that you are a writer. Did your job as a psychiatrist inspire the analysis of your antagonist’s motivation? Do you live in the idyllic town where the book is set? Have you studied the era of your historical novel? Share relevant details about yourself. And it’s true – no one else could write the book you’ve written. They especially want to know why you were the one person who could write this book. It’s the writing, not the writer, that’s important … but the agent or judge does want to know about you too. You could also explain why you think your novel aligns with what they describe in their wish list. The best way to make a connection and show you’ve done your research is to mention an author on the agent’s list who has a relevant readership. Some writers choose to open with this and others incorporate it into the later paragraphs. The letter should be targeted towards the literary agent or competition judge you’re writing to. (Check out agent Nelle Andrew’s advice on comparable titles.) In a short final paragraph, say what inspired you to write the book and offer some comparable titles. If you can do that in a couple of sentences, you might also mention one of the novel’s core turning points.Ĭover letters should describe the novel first, then the writer, then remind us of the novel at the end. Tell us who the protagonist is, what happens to upset the balance of their life, and what their goal is (presumably to restore said life balance!). Unlike the synopsis, it doesn’t need to tell the entire story, but it should be just more than the premise. It’s a good idea to follow this up with a one-paragraph description of the novel.
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